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Everything You Always Wanted
to Know about Getting Traditionally Published
John DeDakis, Bestselling Author of Fast Track Editor for CNN's "Situation Room" with Wolf Blitzer
Click the player above to Activate and then the "Play" button to Listen to the brief Welcome & Overview (3 min.) Next, please take a few minutes to click on the button below to listen to Module 1 of 24 in its entirety (over half an hour!) -- free of charge, with no obligation -- and see for yourself if this in-depth Workshop is what you've been looking for.
Workshop
Instructor: Robert E. Gelinas:
The ArcheBooks Novelist Workshop is available on a single Audio CD (MP3 files) for a cost of $299.00, plus normal shipping and handling charges. The CD contains 10.6 hours of classroom instruction along with the complete 116 page printed Course Workbook. All orders are non-refundable, with the exception of product damage/defect. The Course Workbook and CD usually ships next business day, and will arrive by US Postal Service, Priority Mail (usually within 3 business days in the US). International orders to Canada, the UK, and Australia also available.
Day 1: Morning Session Creating a Commercially Viable Novel I. Do You Have What it Takes to be a Professional Novelist? (35:57) Listen now for Free! a. Ability – Natural Talent & Developed Skills b. Perspective – Art vs. Business: Scribbler or Professional? II. Where Great Ideas Come From (24:13) a. Premise-Based Storytelling b. Character Driven, Plot Driven, or Both? c. Research and Life Experience d. It’s for the Audience, Stupid III. Structure and Plots: A Great Story by Design (14:43) a. A Play in Three Acts by Any Other Name b. Genres, Tradition, Mythic Prototypes, and Adaptation IV. Memorable Characters (5:36) a. 3-D vs. Central Casting: It’s the Little Things that Make them Human b. Your Character Profile Sheet V. Scenic Visualization: Engineering the Roadmap (Synopsis) (12:44) a. Showing not Telling (Action and Dialogue) b. Settings and Staging c. Point of View (POV) d. Storyboards and Spreadsheets VI. Penning the Tale (26:31) a. The First Draft: Bone and Ligaments b. Second Draft: Pacing, Logic Holes and Fresh Ideas c. Third Draft: Sensualize d. Fourth Draft: Personalize e. Fifth Draft: Highlights i. Strong Opening, Climax and Ending ii. Your Five “Memorable” Scenes f. Sixth Draft through X Draft: Polish, Polish, Polish i. Style and Voicing ii. Grammar and Typos iii. Manuscript Formatting VII. Beta Testing the New Product: Test Market Revisions (7:29)
Day 1: Afternoon Session Getting Your Novel Published VIII. History and Contemporary Analysis of the Publishing Industry (34:42) a. The High Road and the Low Road: What is a Bestseller? b. Major Publishing Houses: New York Style c. Small, Independent Presses d. Vanity/Subsidy Presses (Self-Publishing) IX. Marketing 101: The Book Proposal (27:34) a. Selling vs. Telling b. Answering all the Big Questions X. Literary Agents and Why You Need One (33:18) a. The Anatomy of a Literary Agent b. What Literary Agents are Looking For c. Contract Terms Critical to Know and Understand d. How to Get a Good Agent and the Care and Feeding of Literary Agents XI. The Publishing Process from Contract to Release and Beyond (42:58) a. Buying “Years” in Advance: The Interminable Wait b. Editing and Revisions c. Copy Editing and Galleys d. Cover Art and Blurbs e. Print Runs and Advance Promotion f. Distribution and Sales Scenarios g. Backorders, Returns and “Out-of-Print” h. “Great Expectations” i. Literary Orphans XII. Compensation: The Truth About Advances and Royalties (1:03:29) a. The Illusion of Fame and Fortune b. Alternative Models
Day 1 Wrap Up Day 2: Morning Session Marketing and Promoting Your Book XIII. The Goal: Audience Development NOT Merely Book Sales (28:46) a. Welcome to the Entertainment Industry b. Availability Does Not Equal Demand Creation c. Should You Hire a Publicist/PR Firm? d. Perpetual Marketing e. Your Marketing Plan XIV. Promotional Tools (26:27) a. What Your Publisher May Do For You (or Not) b. Collaterals (Posters, Flyers, Bookmarks, T-shirts, etc.) c. You XV. Book Signings (37:24) a. Why and Why Not b. Preparation and Logistics c. What to DO and NOT DO at the Event
Day 2: Afternoon Session XVI. Press Releases (Print Media) (25:17) a. Who to Target b. Making Your Book Newsworthy: Finding a Hook XVII. Broadcast Media (Radio and Television) (18:15) XVIII. Author Websites & Blogs (34:03) Plus Bonus Module by Sandy Lender (38:38) a. Benefits and Issues b. The Most Important Elements c. Construction, Development, Web Hosting, Costs, etc. XIX. Trade Events (40:05) a. Conventions b. Panels and Book Dealers XX. Advertising (32:00, includes Module XXI) a. Budgeting and Ad Agencies b. Trade Publications c. Event Programs d. Internet XXI. Alternative Events (Included in Module XX) a. Wherever they are gathered… b. Sell Books! XXII. Fan Database, Mailings and Newsletters (27:55, Includes Modules XXIII & XXIV)
Workshop Wrap-Up XXIII. Your Next Book (time included in Module XXII) a. Publisher Options on future Works b. Trilogies, Series, and Franchises c. The Cumulative Effect of Audience Development XXIV. Putting Knowledge Into Action (time included in Module XXII) a. Revising Your Existing Manuscript or Starting from Scratch b. Test Marketing Your Finished Manuscript c. Developing Your Query Letter and Book Proposal d. Researching Target Literary Agents and Publishers e. Developing Your Marketing Plan
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